This is interesting, discussing the concept of hypernormalism, which for some odd reason reminds me of some sort of over-reactive thyroid disease, but I am probably wrong about that one, having an under-reactive thyroid that makes me the opposite of the Incredible Hulk, the Forgettable Sulk. The issue relates to our concern about why there is so little resistance from the normies, when it is basically open season on them and all they are being picked off like ducks in a shooting gallery at once was the Royal Shows, soon to be the Republican Shows.
https://gellerreport.com/2020/08/bidenriotsblm-threatens-to-rip-president-trump-from-white-house-we-about-to-go-get-that-motherfer.html/
https://articles.mercola.com/sites/articles/archive/2020/08/29/hypernormalisation-documentary.aspx
“Documentary filmmaker and BBC journalist Adam Curtis has developed a cult following for his eccentric films that combine BBC archival footage into artistic montages combined with dark narratives that create a unique storytelling experience that’s both journalistic and entertaining. His latest film, “HyperNormalisation,” came out in 2016 and is perhaps even more apropos now, as many have the feeling that they’re waking up to an unprecedented, and unreal, world anew each and every day — and so-called fake news is all around. The term “HyperNormalisation” was coined by Alexei Yurchak, a Russian historian. In an interview with The Economist, Curtis explained that it’s used to describe the feeling that comes with accepting total fakeness as normal. Yurchak had used it in relation to living in the Soviet Union during the 1980s, but Curtis used it in response to living in the present-day U.S. and Europe. He said: “Everyone in my country and in America and throughout Europe knows that the system that they are living under isn’t working as it is supposed to; that there is a lot of corruption at the top … There is a sense of everything being slightly unreal; that you fight a war that seems to cost you nothing and it has no consequences at home; that money seems to grow on trees; that goods come from China and don’t seem to cost you anything; that phones make you feel liberated but that maybe they’re manipulating you but you’re not quite sure. It’s all slightly odd and slightly corrupt. So I was trying to make a film about where that feeling came from … I was just trying to show the same feeling of unreality, and also that those in charge know that we know that they don’t know what’s going on. That same feeling is pervasive in our society, and that’s what the film is about.”
