Anti-White Racism is Not “Art”! By Richard Miller (Londonistan)
Once again, the veil of moral superiority has slipped, this time at the University of Grenoble in France, where a taxpayer-funded "art" installation was used to spew openly anti-white slogans in the name of "equality." The irony is enough to make George Orwell cry tears of pain, if he was still here.
As part of "Equality Month" (a title that's beginning to feel more and more dystopian and 1984), the university green-lit a series of 40 graffiti-style messages from an artist whose body of work consists largely of race-baiting, male-bashing sloganeering. Among the choice quotes:
"The world is in pain. That's normal, it is ruled by white men."
"Racism is only white."
"In chess, as in life, whites have a head start."
"It's the work of the Arabs that built Versailles."
This isn't edgy art. It's racial propaganda, plain and simple. Imagine for a moment if these slogans were reversed, if an installation had declared "The world is in pain. That's normal, it is ruled by Black men," or "Racism is only Arab." The media would erupt. Careers would be destroyed. Emergency panels would be convened. But since the target is white people, it's brushed off as progressivism, "critical theory," or cultural deconstruction.
Let's cut through the academic smokescreen: targeting a race for collective blame is racism, no matter which way it's pointed. That was once a liberal principle. But in today's upside-down intellectual climate, the only racism still socially acceptable is the kind that comes wrapped in anti-colonial guilt, painted on university glass, and paid for with public funds.
The usual defence, of course, is that these slogans are justified because of "colonial history" and "systemic oppression." But here's the problem: those arguments crumble under their own weight. The perpetrators of colonial injustice are dead. The people alive today, of all races, are beneficiaries of modern systems that provide education, healthcare, social mobility, and opportunity. No one born in 2003 conquered Algeria or staffed the East India Company.
In fact, many of those shouting loudest about oppression are attending elite institutions, profiting from the very systems they claim are built on racial rot. They're not fighting the system; they are the system. And it's one they don't actually want to dismantle, just control, by themselves on their road to New Class power.
If historical injustice gives you a license to be racist, then every group has a bone to pick, and society collapses into an endless power struggle of grievance and revenge. That's not justice. That's tribalist race war, and it always ends in ruin.
The Grenoble scandal isn't an isolated case. France's universities, like many in the West, have become incubators for race-based radicalism. As Remix News has documented, even institutions like Sciences Po, long a breeding ground for French leadership, have been captured by fringe decolonial ideologues who believe Western civilisation is one long crime scene.
The people running these universities pretend they had no idea what was going on, but it's laughable. These slogans were up for two months. Some had already been "reviewed" and labelled problematic. That means someone signed off on them. The rot isn't just from rogue artists, it's embedded in the institution itself.
And what of the artist? A quick scroll through her social media reveals a steady drip of anti-white, anti-male venom. In a healthy society, that would raise red flags. In today's academia, it gets you a commission.
The same progressives who demand sensitivity, diversity, and inclusion at every turn suddenly forget their own rules when the target is white, male, or Western. That's because this isn't about equality, it's about revenge politics, and power.
You don't fight racism by shifting the target. You don't fix historical injustice by embracing new injustice. And you don't build a healthy, pluralistic society by stoking guilt and resentment in young minds.
If "equality" now means one group gets publicly shamed while another is told they're eternal victims entitled to lash out, then we're not moving forward, we're just recycling old hatreds in new packaging.
Let's say it clearly:
Anti-white racism is still racism.
Academic cowardice is still cowardice.
And wokeness, left unchecked, will eat the very institutions it claims to save.
The backlash has already begun. People are tired of the double standards, the guilt games, and the ideological policing. If the universities won't course-correct, they shouldn't be surprised when the public stops taking them seriously, or funding them. Then these woke Leftist academics will have to sing for their "dinner," and let's see how much they get!
"A number of anti-White slogans were used in an art installation at the University of Grenoble in France for "Equality Month," with widespread outrage leading the president of the university to demand they be taken down. The inscriptions repeatedly attack "White males" and claim that only White people are guilty of racism, with the entire scandal going viral and garnering tens of thousands of comments and millions of views on French social media.
There were approximately 40 such artistic inscriptions, with four of them deemed especially offensive towards White people, which read:
1. The world is in pain. That's normal, it is ruled by white men.
2. Earth is monochrome like a rainbow, racism is only white.
3. It's the work of the Arabs that built Versailles.
4. In chess, as in life, whites have a head start.
Other slogans were slightly less controversial, but still deemed problematic, such as: "I would like to overthrow the French government."
The slogans are affixed to the glass walls of the affixed amphitheater gallery in the Pierre Mendès France building at the university's campus, and were commissioned from the artist Petite Poissone. It is unclear how much he was paid to produce the racist slogans.
The conservative student union, UNI Grenoble, denounced the messages, saying they represent "anti-white propaganda."
"These unacceptable messages encourage racism against white people and spread the woke idea that we are in a systematically racist society," said UNI national delegate Yvenn Le Coz, who requested the university immediately take down the artworks.
After the UNI alerted President Yassine Lakhnech, who claimed he only became aware of the inscriptions despite them already being up for two months. The inscriptions have become a part of a national news story, with some of the biggest outlets in the country now questioning how such racist inscriptions were installed. Le Figaro questioned the president, Lakhnech, who said the messages "do not reflect the university's positions or values." He claimed they would now be removed, but only the ones that caused a problem.
A press release has gone out and noted that the artwork was given "sufficient oversight." However, university students are claiming that 10 inscriptions out of 50 were already reviewed and deemed inappropriate, which, if true, means university staff saw all the messages beforehand and allowed them to go up.
The artist, a 42-year-old Grenoble resident, has numerous anti-White and anti-male comments and artworks on her Instagram account.
Anti-white racism at French and Western universities has been commonplace in the last decades, as Remix News has reported.
In 2021, Remix News wrote that the elite Paris Institute of Political Studies, also known as Sciences Po Paris, is experiencing a growing rise in racist, de-colonial, and anti-White ideologies. Many conferences, research papers, and courses are under the influence and supervision of small but aggressive ideological militant groups.
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