Leading into the weekend, something of a lighter note, the death of James Bond 007, in the latest offering, No Time to Die (2021). Yes, the latest Bond movie, the only one which I will not see, not only replaces Bond with a woke black woman, drops all the beautiful women, but kills off Bond at the end of the movie. This movie is so bad that even those within the movie circle are condemning it. Next, I am sure Bond will be resurrected as a Black. Still it could not be as bad as this ending, as a Black actor would not put up with the politically correct humiliation that Daniel Craig seemed to have no problems with. This was an actor who hated the Bond role, and was the worst Bond of all, even worse than George What’s-His-Name, who had one gig in On His Majesties Secret Service. No Time to Die very much replicates that past Bond failure, even having some of the same theme music and a similar plot. Anyway, there are still the classics by real man hairy-chested Sean Connery, to watch when nostalgia grips one.
They have done to Bond what they have done to manhood and the rest of traditional culture.
““James Bond is a simp” in No Time to Die, the latest film in the spy franchise, film director Amanda Milius said on Wednesday’s edition of SiriusXM’s Breitbart News Daily with host Alex Marlow.
Milius described how Hollywood’s undermining of the iconic character’s classic attributes are part of a broader cultural campaign of remaking popular mythologies to comply with left-wing doctrines regarding “wokeness.”
“You can’t have a cool James Bond because it’s too masculine,” she remarked. “It’s too awesome. He’s a celebrated bachelor. The fact that they finally had to murder — and when I say that, I mean character-wise — they finally had to put James Bond in the grave in this one. You can tell that at just every opportunity that was their goal.”
She continued, “They have to kill James Bond. They have to make him a simp before they finally kill the whole series. … The whole point of culture and Hollywood, right now, is not just to … make movies that you [don’t] want to see, but it’s to take your icons — Superman is gay, James Bond is a simp — everything is the opposite of what it was supposed to be.”
She stated, “I can’t even enjoy the luxurious experience of watching a gazillion-dollar movie, because I’m [watching] dumb chick on a motorcycle uttering stupid one-liners over her shoulder to dress down the white-cis James Bond who’s just outgrown his era.”
“I can’t just enjoy the pretty movie without the nausea of the generation that we’re in,” she added. “At the end of it, they had to kill the James Bond idea. You’re not allowed to be a heartless bachelor who’s just cool, anymore.”
“They have to invert the mythology,” she stated. “They have to kill your spirit, and you have to watch them do it and pay them for the pleasure.”
A healthy culture requires broadly agreed-upon myths, Milius held, identifying James Bond as an archetypal manifestation of such a fictional legend.
She said, “The importance of myth-making for a culture … is something everybody studies at a really basic level in university. It is a really important thing. How can you have a culture that’s healthy when the stories you tell its citizens about it are so sick and twisted?”
“We’re in the Dark Ages,” Milius said of the degradation of American culture. “We’re not going towards the Dark Ages, we’re in the Dark Ages, and it’s not even like they’re making this stuff to please those audiences and ignore our people. They’re specifically taking everything you like and everything that actually was a cultural kind of landmark for the United States — or just in the Western Civilization, in general — and subverting it, turning its on its head, and raping its dead carcass in front of you and making you watch. It’s so dark.”
Milius, director of The Plot Against the President, recalled how the producer for Real Time with Bill Maher demanded she hype the events of January 6th at the Capitol as a condition of participation on the show.
She shared, “When I was trying to go on Bill Maher for the Russiagate stuff — because he’s been awoken on that — I had this wacky talk with his producer and they were like, basically, ‘You can’t come on the show unless you’re willing to say that January 6th is the worst thing that ever happened, worse than World War II, blah blah blah,’ and I was like, ‘No, I don’t even think about it, because it was just stupid.'”
https://www.infowars.com/posts/the-newest-james-bond-movie-is-hollywood-showing-us-what-global-elites-are-up-to/
“To the ordinary COVID-jabbed, corporate news-consuming American, the new James Bond film is an action-packed fitting end to Daniel Craig’s tenure as the womanizing “double-O” British spy agent.
To keen observers of the global effort currently underway to eradicate human rights and usher in a worldwide dictatorship, the film is yet another instance of Hollywood showing us what sinister elites are doing before our very eyes and laughing at us for not picking up on it.
Without giving away too many details, No Time to Die is about a bad guy who creates a bioweapon that can attack people based on their genetic composition. People that become infected acquire nano-robots in their blood stream. They, in turn, become carriers of the virus, which they can spread to others they come in contact with.
Aside from being pretty much like every other Bond film, the plot of this one follows almost to a T what’s happening in our world today with COVID-19 — even though the movie was shot before COVID was a thing.
Just like in the movie, people are being injected with unknown ingredients that are causing major adverse reactions. They’re then getting “booster” shots that some researchers believe allow them to infect others and can increase their chances of dying later on due to a compromised immune system.
Hollywood has been grooming the U.S. and global public for decades with its movies, or should I say indoctrination films. Dystopian films like Contagion, I Am Legend, Perfect Sense, and many, many others have similar virus-themed storylines that mirror the events going on around us today.
Marvel and other “superhero” movies are also a clever Hollywood scheme to get normal people to forget about the real, spiritually edifying heroes of history — missionaries, saints, martyrs — and to develop a cult-like following of leftist A-list celebrities.
There’s a telling scene about three quarters of the way through No Time to Die when Bond comes face to face with the bad guy. They have a brief but highly enlightening conversation about why he’s doing what he’s doing. Bond tries to convince him of his evil ways, but he responds by saying, and I’m paraphrasing here, that most people want to be told what to do and to let things happen to them, and that men like him are supposed to create their reality for them.
To me, that conversation was the most telling part not just of this film, but of what Hollywood is generally up to these days: hubristically working in concert with the Deep State and others to telegraph to a blind public what’s going to happen to them all.
Really what’s going on is a large-scale desensitization program so that when society truly crashes and burns everyone will be so stunned, they won’t be able to fight back. Everyone will be saying how “this is just like the movies!” — without realizing they were being groomed all along to get to that point. My advice? Take Hollywood at its word. Prepare now for what they keep telling us is going to happen.’
“Live by the woke sword. Die by the woke sword. No Time to Die director Cary Joji Fukunaga falsely accused Sean Connery’s James Bond of being a rapist, and now he’s facing his own #MeToo accusation.
The far-left Daily Beast reports that after actress Raeden Greer read the interview with Fukunaga, where, in a fit of woke virtue signaling, he trashed Connery’s Bond as a rapist, she decided it was time to come forward and tell her own story.
Nevertheless, once she showed up to work, she engaged “in a tense 10-minute standoff with the [Fukunaga], who she claims tried every bargaining tactic he could think of to convince her to agree to the nudity.”
“He was trying different things to convince me that it’s not a big deal,” she said. “It [was] going to be very tasteful, or it’s just gonna be really insignificant in the background. I was like, ‘Well, if it’s so insignificant, why is he so insistent that I have to do this?’ It was just on and on and on with no budging.”
She refused to back down, she says, because there was no “nudity rider in her contract and her overall feeling of discomfort[.]”
She was later fired and replaced by an extra.
“It was extremely sh*tty, it was horrible,” Greer told the Daily Beast. “To know how little I mattered and how little whatever I brought to the table meant to them. It was like, ‘You are just completely disposable and even somebody who has never f*cking acted before can do this. Just go home, we’ll get anybody else to come in here and do this.'”
“So yeah, it was degrading. It was humiliating and made me feel terrible. As soon as I got in my car, I started crying and I called my agent and I told her what happened and she couldn’t believe it.”
Likewise, it is hard to believe what they are doing to us, but doing it they are.